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Queen Mary's Song" is a song written by the English composer Edward Elgar in 1889. The words are by Tennyson , sung by Queen Mary I of England as she plays a lute in scene 2, act 5 of his 1875 play Queen Mary: A Drama .
The track "Bayou Song" is an original song written for Turner by Peter-John Morse. [6] There were no singles released from the album. In November 2023, the album was made available on streaming services and as a digital download, marking its first release in any digital format. The album was re-issued on LP and CD on November 15, 2024. [7]
"The Greater Manhattan Love Song" by Patrick Sky "Green Acres" by Eddie Albert and Eva Gabor "Green Grass Of Shea" by New York Mets "Greenwich Village" (music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse) "Greenwich Village Belle" music by Sigmund Romberg; lyrics by Charles Manning and Matthew C. Woodward
In addition to his real-life loves, Van Dyke also had palpable chemistry with his onscreen wife Mary Tyler Moore on the Dick Van Dyke Show, which ran from 1961 to 1966 and earned 15 Emmy Awards.
"Two Is Better Than One" was met with mixed reviews from music critics. A positive response came from Michael Menachem of Billboard who stated, "Martin Johnson's falsetto complements Swift's sweet tone, and producer Brian Howes builds an orchestral arrangement around their vocals that would be well-suited to a climactic movie moment."
The idea for the song came from Freddie Mercury and John Deacon, who wrote the basic chord structure for the song. All four contributed to the lyrics and musical ideas, and the song was still credited to the entire band because they had agreed to do so during the album recording, regardless of who had been the actual writer.
L.V. Johnson (December 25, 1946 – November 22, 1994) [2] was an American Chicago blues and soul-blues guitarist, singer and songwriter. He is best known for his renditions of "Don't Cha Mess with My Money, My Honey or My Woman" and "Recipe". He worked with the Soul Children, the Bar-Keys and Johnnie Taylor.
The song was released as a single in North America, Japan and New Zealand in 1978, albeit in heavily edited form, and peaked at #74 on the U.S. Billboard Hot 100 [12] and #66 on the Cash Box Top 100. [13] The song was later included on the Queen Rocks compilation in 1997.