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A production coordinator is a position in film, television or video production.. In Los Angeles, it is called production office coordinator and abbreviated POC, and is a unionized position under the International Alliance of Theatrical Stage Employees (IATSE) and is governed by Local 871. [1]
Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. [4] The crediting of executive producers in the film industry has risen over time.
The property master, often called the prop(s) master, is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production.
Production is generally not considered a department as such, but rather as a series of functional groups. These include the film's producers and executive producers and production office staff such as the production manager, the production coordinator, and their assistants; the various assistant directors; the accounting staff and sometimes the locations manager and their assistants.
According to Producers Guild of America (PGA) guidelines, the line producer is the individual who reports directly to the individual(s) receiving "Produced by" credit on the theatrical motion picture and is the single individual who has the primary responsibility for the logistics of the production, from pre-production through completion of production; all department heads report to the line ...
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
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