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Platero is the eponymous donkey of the 1914 story Platero and I (English for Platero y yo). The book is one of the most popular works by Spanish poet Juan Ramón Jiménez, the recipient of the 1956 Nobel Prize in Literature. In 1960, the Italian composer Mario Castelnuovo-Tedesco composed a suite of music for guitar with narrator based on the book.
Platero and I, also translated as Platero and Me (Spanish: Platero y yo), is a 1914 Spanish prose poem written by Juan Ramón Jiménez. [1] The book is one of the most popular works by Jiménez, and unfolds around a writer and his eponymous donkey, Platero ("silvery"). Platero is described as a "small donkey, a soft, hairy donkey: so soft to ...
Quizlet was founded in October 2005 by Andrew Sutherland, who at the time was a 15-year old student, [2] and released to the public in January 2007. [3] Quizlet's primary products include digital flash cards , matching games , practice electronic assessments , and live quizzes.
Note: Most subscribers have some, but not all, of the puzzles that correspond to the following set of solutions for their local newspaper. CROSSWORDS
Juan y Junior began their careers first as part of the band "Los Pekenikes" and later as part of "Los Brincos" in the 1960s. In February 1967, they formed the duo "Juan y Junior". In 1968 the duo was given the task of composing the entire soundtrack and musical themes for the film Solos los dos , directed by Luis Lucia Mingarro and starring ...
El llano en llamas (translated into English as The Burning Plain and Other Stories, [1] The Plain in Flames, [2] and El Llano in flames [3]) is a collection of short stories written in Spanish by Mexican author Juan Rulfo. The stories were written over several years for different literary magazines, starting in 1945 with They Gave Us The Land. [4]
5. Rebuilding the bullpen By the end of the World Series, the top of New York’s reliever hierarchy looked something like this: Luke Weaver, Clay Holmes, Tommy Kahnle, Tim Hill, Mark Leiter Jr.
The story begins with the first-person account of Juan Preciado, who promises his mother on her deathbed that he will return to Comala to meet his father, Pedro Páramo. His narration is interspersed with fragments of third-person dialogue from the life of Pedro Páramo, who lived in a time when Comala was a robust, living town, instead of the ghost town Juan now sees.
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