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Sadhu Ramchand Murmu (30 April 1897 – 15 December 1954) [2] [better source needed] was a Santali poet, writer, and educator. [3] He reshaped the Santali literature and music in the late 19th and early 20th centuries. [4] He is also known as Kobiguru or Mahakabi of Santali literature. [5] He is one of the great tribal poets from India. [6]
Santali literature (Santali: ᱥᱟᱱᱛᱟᱲᱤ ᱥᱟᱶᱦᱮᱫ) refers to the literary works written in the Santali language, primarily spoken by the Santal people of India, Bangladesh, Nepal, and Bhutan. It is one of the 22 scheduled languages of India [1] and is written in the indigenous script called Ol Chiki script.
Raghunath Murmu (5 May 1905 [1] [2] – 1 February 1982) [3] was an Indian Santali writer and educator. He developed the Ol Chiki script for Santali language. [4] [5] [6] Until the nineteenth century, Santali people had no written language and knowledge was transmitted orally from one generation to other.
The origin of Lungi Panchi dance is unclear. Traditionally, it is believed that it originated in 1955 as a result of mixing the rhythms of merengue and conga in Cuba. The Cuban musician, Eduardo Davidson, is often called the father of the pachanga dance, but opponents of this opinion consider such statements to be erroneous, since the first composition of Davidson in this style was written ...
The Ol Chiki script was created in 1925 by Raghunath Murmu for the Santali language, and publicized first in 1939 at a Mayurbhanj State exhibition. [2] Unlike most Indic scripts, Ol Chiki is not an abugida, but is a true alphabet: giving the vowels equal representation with the consonants.
Santali (Pronounced:, Ol Chiki: ᱥᱟᱱᱛᱟᱲᱤ, Bengali: সাঁওতালী, Odia: ସାନ୍ତାଳୀ, Devanagari: संताली), also known as Santal or Santhali, is the most widely-spoken language of the Munda subfamily of the Austroasiatic languages, related to Ho and Mundari, spoken mainly in the Indian states of ...
Few desserts command attention quite like a red velvet cake. Layers of bold red, likened to velvet because of the cake’s signature light and tender crumb, accented by stark white icing—of ...
These instruments are critical for most traditional Santal music because they provide the metric foundation for the music. The Tumdak' is a hand-struck two-headed drum. The body of the drums made from clay. Like most similar Indian drums, the left head is larger than the right. Leather straps zigzag from head to head to connect and keep them tight.
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