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Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwords from Desaja, English , Hindustani (Hindi/Urdu), Persian , and Arabic .
The study breaks down the pre-existing idea that Odia is a 500-year-old language, with a 2,500-year history of the language, a 2,000-year-old literature, and a script that was created from primitive caves below 20,000 years old. The research paper proves that the origin of the script, especially in all the scripts of India, is derived from Odisha.
Odia children's literature' has a long history. Its roots are in Moukhika Sishu Sahitya, which is a part of the Loka Sahitya meant for children. As its development started after modern education was implemented, Odia children's literature is divided into two categories, Odia Moukhika children's literature and Odia written children's literature.
Sitadevi Khadanga (1902–1983) was an Odia dramatist, novelist, poet and translator from Odisha, India. Her writings mostly set in rural Odisha which depicts social problems of the area in the 20th-century. Her contribution to Odia poetry is considered to be a landmark in Odia literature.
The Lakshmi Purana is an Odia text written in the 15th century by Balarama Dasa, a major poet of Odia literature. [1] Despite its name, it is not one of the eighteen major Puranas of Hinduism, [2] having been written in the medieval era as a piece of regional literature that discusses gender and social norms.
Pages in category "Odia-language writers" The following 76 pages are in this category, out of 76 total. This list may not reflect recent changes. B. Saroj Bal;
It works for research and innovation in science, education and development with a focus on Odia language. It has published a popular science books, and periodicals like Bigyan Tarang since 1988-89 that has 17 volumes and 105 issues. [1] [2] The organization was founded in 1983 [3] by a couple Nikhil Mohan Pattnaik and Puspashree Pattnaik. [4]
He followed the footsteps of Fakir Mohan Senapati and made a remarkable development in Odia satirical literature. Praharaj used the colloquial speech of Odisha along with Hindustani, Parsi, English, Sanskrit and folk language in his prose works. [2] He wrote several critical essays with different pen names in many magazines up to his old age.
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