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  2. File:New Standard Tuning - C major scale harmonized in ...

    en.wikipedia.org/wiki/File:New_Standard_Tuning...

    English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ("Crafty" tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard ...

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament

  4. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]

  5. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:

  6. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.

  7. C major - Wikipedia

    en.wikipedia.org/wiki/C_major

    Most of Haydn's symphonies in C major are labelled "festive" and are of a primarily celebratory mood. [1] Wilfrid Mellers believed that Mozart's Symphony No. 41, written in 'white' C major, "represented the triumph of light". [2] (See also List of symphonies in C major.) Many masses and settings of the Te Deum in the

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