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The chorale occurs twice in the cantata, with different texts each time (neither of which matches the English): as its sixth movement, Wohl mir, dass ich Jesum habe (It is well for me that I have Jesus), and again as its tenth movement, Jesus bleibet meine Freude (Jesus Remains My Joy). The English title derives from famous piano transcriptions ...
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
The final (4th) movement of the symphony, commonly known as the Ode to Joy, features four vocal soloists and a chorus in the parallel key of D major. The text was adapted from the " An die Freude (Ode to Joy) ", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven.
The music of the chorale movements is now best known for the piano transcription by Dame Myra Hess of Hugh P. Allen's choral version of Bach's arrangement, and is notable under the title Jesu, Joy of Man's Desiring, [28] an inexact translation that transforms the original affirmation ("Jesus remains my joy") into a wish. [29]
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