Search results
Results from the WOW.Com Content Network
A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
Tri means three, pundra means one which is released. There are three horizontal lines of vibhuti (holy ash) on the brow, often with a dot ( bindu ) as the third eye. Holy ash, remains from yagya or sacrificial fire-wood is a reminder of the temporary nature of the physical body and the importance of spiritual attainment and closeness to Shiva ...
A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
People dip their thumb or ring finger into the heap and apply it on the forehead or between the eyebrows. In most of India, married women apply red kumkuma to the parting of their hair above their forehead every day as a symbol of marriage. This is called vermilion, or in Hindi, sindoor. In India, many unmarried girls wear a bindi every day.
Women applying sindoor to each other during Durga Puja festival in Kolkata, India. Sindoor is traditionally applied at the beginning or completely along the parting-line of a woman's hair (also called mang in Hindi or simandarekha in Sanskrit) or as a dot on the forehead. Sindoor is the mark of a married woman in Hinduism. [8]
viseshakacchedya — art of painting the face and body with colored unguents and cosmetics. tandula-kusuma-bali-vikara — art of preparing offerings from rice and flowers. pushpastarana — art of making a covering of flowers for a bed. dasana-vasananga-raga — art of applying preparations for cleansing the teeth, clothes, and painting the body.
A Hindu woman with a ghoonghat veil. A ghoonghat (ghunghat, ghunghta, ghomta, orhni, odani, laaj, chunari, jhund, kundh) is a headcovering or headscarf, worn primarily in the Indian subcontinent, by some married Hindu, Jain, and Sikh women to cover their heads, and often their faces.