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A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
Islamic calligraphy is associated with geometric Islamic art (Arabesque) on the walls and ceilings of mosques as well as on the page or other materials. Contemporary artists in the Islamic world may draw on the heritage of calligraphy to create modern calligraphic inscriptions, like corporate logos, or abstractions.
As with all handwriting, cursive Hebrew displays considerable individual variation. The forms in the table below are representative of those in present-day use. [5] The names appearing with the individual letters are taken from the Unicode standard and may differ from their designations in the various languages using them—see Hebrew alphabet § Pronunciation for variation in letter names.
Modern calligraphy art "Ruthenia"[edit] "Ruthenia" is the general name of fonts and font sets for the Ukrainian alphabet, created in 2000–2021 by Professor Vasyl Chebanyk based on the primary Ukrainian traditions of the Kievan Rus' era and Cossack cursive, which became the project "Graphics of the Ukrainian Language".
Abol Atighetchi uses combination of colored naskh, suluth and kufic style calligraphy with large letters in a single large format acrylic painting for his work presentation and circles in gold leaf or simple color to decorate but in the Nastaligh style many colorful geometrical forms and lines are used to modernize the painting and the same technique is used to modernize the large format birds ...
A page from the Nuremberg Chronicle (Schedelsche Weltchronik), 1493. The German word Schwabacher (pronounced [ˈʃvaːˌbaxɐ]) refers to a specific style of blackletter typefaces which evolved from Gothic Textualis (Textura) under the influence of Humanist type design in Italy during the 15th century. Schwabacher typesetting was the most ...
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.
The name Nastaliq "is a contraction of the Persian naskh-i ta'liq (Persian: نَسْخِ تَعلیق), meaning a hanging or suspended naskh. " [6] Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century.