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The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method , it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.
Persian scale on C Play ⓘ. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism. Compare this to the one augmented second of the harmonic minor or ...
The current tone system is derived from the work of Farabi (d. 950 CE) (heptatonic scales constructed from seconds), who used a 25-tone unequal scale (see tetrachord), and Mikha'il Mishaqah (1800–1888) who first presented the 24-tone equal-tempered division. [6]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
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Quarter tone scale, or 24 tone equal temperament; A seventeen tone unequal tuning that was historically used to describe Arabic music; Major locrian scale, a scale similar to locrian, also the aeolian mode with ♭ 5th and ♯ 3rd, Phrygian dominant scale with ♭ 5th and ♯ 2nd, or Blues Leading-Tone scale with ♭ 6th and ♯ tonic.