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He is most recognized today as the voice who recites the epigraph each day before the program begins: "Like sands through the hourglass, so are the Days of Our Lives." From 1966 to 1994 he would also intone, "This is Macdonald Carey, and these are the Days of Our Lives." (After Carey's death, the producers, out of respect for Carey's family ...
Almost unchanged since the show's debut in November 1965, Days of Our Lives ' s title sequence shows an hourglass, with sand trickling to the bottom against the backdrop of a partly cloudy sky, accompanied by the spoken words, "Like sands through the hourglass, so are the Days of Our Lives."
"Still-Life with a Skull" by Philippe de Champaigne, c. 1671. The sands of time is an English idiom relating the passage of time to the sand in an hourglass.. The hourglass is an antiquated timing instrument consisting of two glass chambers connected vertically by a narrow passage which allows sand to trickle from the upper part to the lower by means of gravity.
It is often simply called a book club, a term that may cause confusion with a book sales club. Other terms include reading group , book group , and book discussion group . Book discussion clubs may meet in private homes, libraries , bookstores , online forums, pubs, and cafés, or restaurants, sometimes over meals or drinks.
Hourglass cursor. Recognition of the hourglass as a symbol of time has survived its obsolescence as a timekeeper. For example, the American television soap opera Days of Our Lives (1965–present) displays an hourglass in its opening credits, with narration by Macdonald Carey: "Like sands through the hourglass, so are the days of our lives."
The Hourglass Sanatorium is not solely an adaptation of Sanatorium Under the Sign of the Hourglass, but also includes sequences from other works by Bruno Schulz. Regarding the possibility of a film adaptation of a book written by Schulz, director Wojciech Jerzy Has said: "Schulz's poetic prose was the reading of my early youth. It influenced my ...
Bookclub is a monthly programme, devised by Olivia Seligman and hosted by Jim Naughtie and broadcast on BBC Radio 4.Each month a novel is selected, and its author invited to discuss it.
In "Father's Last Escape," the concluding story of the novel, Schulz makes an explicit reference to Franz Kafka's The Metamorphosis (Schulz helped his one-time fiancee translate Kafka's The Trial into Polish, a translation for which Schulz provided an introduction).