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He is most recognized today as the voice who recites the epigraph each day before the program begins: "Like sands through the hourglass, so are the Days of Our Lives." From 1966 to 1994 he would also intone, "This is Macdonald Carey, and these are the Days of Our Lives." (After Carey's death, the producers, out of respect for Carey's family ...
Almost unchanged since the show's debut in November 1965, Days of Our Lives ' s title sequence shows an hourglass, with sand trickling to the bottom against the backdrop of a partly cloudy sky, accompanied by the spoken words, "Like sands through the hourglass, so are the Days of Our Lives."
"Still-Life with a Skull" by Philippe de Champaigne, c. 1671. The sands of time is an English idiom relating the passage of time to the sand in an hourglass.. The hourglass is an antiquated timing instrument consisting of two glass chambers connected vertically by a narrow passage which allows sand to trickle from the upper part to the lower by means of gravity.
An hourglass (or sandglass, sand timer, or sand clock) is a device used to measure the passage of time. It comprises two glass bulbs connected vertically by a narrow neck that allows a regulated flow of a substance (historically sand ) from the upper bulb to the lower one due to gravity .
It is often simply called a book club, a term that may cause confusion with a book sales club. Other terms include reading group , book group , and book discussion group . Book discussion clubs may meet in private homes, libraries , bookstores , online forums, pubs, and cafés, or restaurants, sometimes over meals or drinks.
LONGER READ: 22-year old Elma Sands was found dead at the bottom of a well in Manhattan in 1800. A new podcast starring Allison Williams and Tony Goldwyn tells the remakarkable tale of her death ...
Active International was founded on Aberdeen, Washington February 10, 1922, as The Active Club. A group of young men including Ernest Axland, Paul Arthand, Carl Morck, Carl Springer, Carl Teman, Edgar Jones, and Pat McNamara was eager to give the young men a more active part in the affairs of the community.
In "Father's Last Escape," the concluding story of the novel, Schulz makes an explicit reference to Franz Kafka's The Metamorphosis (Schulz helped his one-time fiancee translate Kafka's The Trial into Polish, a translation for which Schulz provided an introduction).