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Ballantine and Gardiner was a Scottish manufacturer of stained-glass windows, one of several names the company worked under. [1] The business was founded in Edinburgh by James Ballantine (1806–1877) and George Allan as Ballantine and Allan. They began making stained glass in the 1830s.
He quickly achieved high eminence in his field with his business Ballantine and Allan, and got the contract for painting the windows of the House of Lords through a public competition. His 1845 book A treatise of Stained Glass became a standard work. His son, Alexander (1841–1906), later joined his stained-glass window business. [1]
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Stained glass windows of Chartres Cathedral; Christ between the Apostles John and Paul (Christ Preaching) Church of Our Savior (Boynton Beach, Florida) Church of the Good Shepherd (Rosemont, Pennsylvania) Cologne Cathedral Window
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
The Saint John stained glass window in the Honan Chapel, Cork was designed in 1916 by the Irish artist Catherine O'Brien. O'Brien was then part of Sarah Purser's workshop An Túr Gloine, which was commissioned to produce eight windows for the chapel. Of these, O'Brien's "Saint John window" is considered the most successful.
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