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Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
The so-called Flemish Primitives were the first to popularize the use of oil paint. Their art has its origins in the miniature painting of the late Gothic period.Chief among them were Jan van Eyck, Hans Memling, Hugo van der Goes, Robert Campin and Rogier van der Weyden.
The Exposition des primitifs flamands à Bruges (Exhibition of Flemish Primitives at Bruges) was an art exhibition of paintings by the so-called Flemish Primitives (nowadays usually called Early Netherlandish painters) held in the Provinciaal Hof in Bruges between 15 June and 5 October 1902.
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting .
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In this period of Dutch prehistory, the first notable remains were erected: the dolmens, large stone grave monuments. They are found in Drenthe, and were probably built between 4100 BC and 3200 BC. To the west, the Vlaardingen culture (around 2600 BC), an apparently more primitive culture of hunter-gatherers survived well into the Neolithic period.
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
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