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The Mean Streak is a type of marker made by Sanford, but can also refer to a variety of solidified paint marking sticks.This marker is a semi-solidified stick of oil-based paint in a twist tube which makes marks on many types of surfaces, including metal, wood, plastics, and paper, making it a popular graffiti instrument.
Flo-master ink can rendering by Mike McGetrick. Flo-Master was a brand of inks and markers in the latter half of the 20th century. [1] These markers were designed for glass, and became popular among graffiti artists in New York City in the 1970s and early 1980s.
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art ...
Tags are one of the primary forms of modern graffiti, along with throw ups and pieces.The act of writing a tag is known as tagging.Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow, [1] and are the form that most artists start with. [2]
Racist graffiti was painted in the parking lot of a Tennessee social justice center that hosted giants of the 1960s U.S. civil rights movement, such as Martin Luther King, Jr. and Rosa Parks, the ...
Glass etching is a method of creating graffiti using a strong acid solution. [1] Apart from the creation of decorative windows, the etching technique itself has also spread to the field of graffiti subculture mainly due to its permanence. Graffiti created in this way can only be removed by grinding the affected glass. [2]
Michael Jerome Stewart (May 9, 1958 [1] – September 28, 1983) was an African-American man who received recognition after his death following an arrest by New York City Transit Police for writing graffiti in soft-tip marker or using an aerosol can on a New York City Subway wall at the First Avenue station. [2]
The site was first established as the Phun Phactory in 1993 by Pat DiLillo under a program called Graffiti Terminators. [12] As the new curator for the Phun Factory, DiLillo was adamant that the word "graffiti" not refer to the work displayed at the Phun Factory, as "graffiti" had long been associated with crime and gang activity.
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