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Thuvia, Maid of Mars, The Chessmen of Mars, The Master Mind of Mars, A Fighting Man of Mars, Swords of Mars, Synthetic Men of Mars, Llana of Gathol and John Carter of Mars. Battle Angel Alita by Yukito Kishiro. Battlefield Earth by L. Ron Hubbard. The Beast Master by Andre Norton. Becoming Alien by Rebecca Ore.
Dune by Frank Herbert. Dune is epic sci-fi. Operatic sci-fi. It’s the sci-fi of world (nay, universe) building, and in that sense it shares much with the fantasy genre—those works inspired by ...
ISBN. 9780947761110. OCLC. 12522525. Science Fiction: The 100 Best Novels, An English-Language Selection, 1949–1984 is a nonfiction book by David Pringle, published by Xanadu in 1985 [1][2] with a foreword by Michael Moorcock. Primarily, the book comprises 100 short essays on the selected works, covered in order of publication, without any ...
Megacity. Pastoral science fiction —science fiction set in rural, bucolic, or agrarian worlds, either on Earth or on Earth-like planets, in which advanced technologies are downplayed. Seasteading and ocean colonization. Pirate utopia. Reality Television. Space colonization. Colonization of the Moon. Ecumenopolis. Pantropy.
Space exploration, as predicted in August 1958 by the science fiction magazine Imagination. Science fiction (sometimes shortened to SF or sci-fi) is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life.
Several stories within the One Thousand and One Nights (Arabian Nights, 8th–10th centuries CE) also feature science fiction elements.One example is "The Adventures of Bulukiya", where the protagonist Bulukiya's quest for the herb of immortality leads him to explore the seas, journey to the Garden of Eden and to Jahannam (Islamic hell), and travel across the cosmos to different worlds much ...
Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.
Science fiction critic Robert Crossley [Wikidata], in the 2011 non-fiction book Imagining Mars: A Literary History, identifies Burroughs's work as the archetypal example of what he dubs "masculinist fantasies", where "male travelers expect to find princesses on Mars and devote much of their time either to courting or to protecting them". [20]
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