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The Fellowship of the Ring is the first of three volumes of the epic novel [1] The Lord of the Rings by the English author J. R. R. Tolkien; it is followed by The Two Towers and The Return of the King. The action takes place in the fictional universe of Middle-earth.
The scholar Brian Rosebury considers Tolkien's narrative portrayal of Gollum (pictured) his most memorable success. [1]The philologist and fantasy author J. R. R. Tolkien made use of multiple literary devices in The Lord of the Rings, from its narrative structure and its use of pseudotranslation and editorial framing, to character pairing and the deliberate cultivation of an impression of ...
The Company of the Ring, also called the Fellowship of the Ring and the Nine Walkers, is a group of nine representatives from the free peoples of Middle-earth: Elves, Dwarves, Men, and Hobbits; and a Wizard. The group is described in the first volume of The Lord of the Rings, itself titled The Fellowship of the Ring.
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic high fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, and Jackson, based on 1954's The Fellowship of the Ring, the first volume of the novel The Lord of the Rings by J. R. R. Tolkien.
The Lord of the Rings is an epic [1] high fantasy novel [a] by the English author and scholar J. R. R. Tolkien.Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work.
The Watcher in the Water is a fictional creature in J. R. R. Tolkien's Middle-earth; it appears in The Fellowship of the Ring, the first volume of The Lord of the Rings. [T 1] Lurking in a lake beneath the western walls of the dwarf-realm Moria, it is said to have appeared after the damming of the river Sirannon, [T 1] and its presence was first recorded by Balin's dwarf company 30 or so years ...
The way the story kept on getting more complicated led Tolkien to ask himself a rising tide of questions about the key themes of the story, especially the nature of Bilbo's Ring, but also issues like what part the other Rings should play, who Trotter was, and whether Bingo/Frodo should have Sam Gamgee as a companion. [7]
The reference to not bowing before "the Iron Crown", and later reference rejecting "the great Artefact" have been interpreted as Tolkien's opposition and resistance to accept what he perceived to be modern man's misplaced "faith" or "worship" of a kind of rationalism, and "progress" when defined by science and technology. [4]