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Tsujigiri (辻斬り or 辻斬, literally "crossroads killing") is a Japanese term for a practice when a samurai, after receiving a new katana or developing a new fighting style or weapon, tests its effectiveness by attacking a human opponent, usually a random defenseless passer-by, in many cases during night time. [1]
The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
All of the Islamic world during the 16th to 18th century, including the Ottoman Empire and Persia were influenced by the "scimitar" type of single-edged curved sword. Via the Mameluke sword this also gave rise to the European cavalry sabre. Terms for the "scimitar" curved sword: Kilij (Turkish) Pulwar (Afghanistan) Shamshir (Persia) Talwar ...
A Hand and a half sword, colloquially known as a "bastard sword", was a sword with an extended grip and sometimes pommel so that it could be used with either one or two hands. Although these swords may not provide a full two-hand grip, they allowed its wielders to hold a shield or parrying dagger in their off hand, or to use it as a two-handed ...
A kalis (Baybayin: ᜃᜎᜒ or ᜃᜎᜒᜐ᜔; Jawi script: كاليس ;Abecedario: cáli, cális) is a type of Philippine sword. The kalis has a double-edged blade, which is commonly straight from the tip but wavy near the handle. Kalis exists in several variants, either with a fully straight or fully wavy blade.
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A shuriken (Japanese: 手裏剣, lit. ' hand-hidden blade ') is a Japanese concealed weapon used by samurai or ninja or in martial arts as a hidden dagger or metsubushi to distract or misdirect.
Oakeshott types. The Oakeshott typology is a way to define and catalogue the medieval sword based on physical form. It categorises the swords of the European Middle Ages (roughly 11th to 16th centuries [1]) into 13 main types, labelled X through XXII.