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The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
The formal variety was sometimes called a Prince Albert overcoat. The Prince Albert top frock, from the later half of the 19th century, originally had a three-inch-wide velvet collar, and flap pockets at the hip, until 1893, when it became even more fitted, longer, and double-breasted. [2]
The Chesterfield is a formal, dark, knee-length overcoat with a velvet collar introduced around the 1840s in the United Kingdom. A less formal derivation is the similar, but with a lighter fabric, slightly shorter, top coat called a covert coat.
Grey wool covert coat with notched lapels and black velvet collar, made by Aquascutum. A covert coat or Crombie coat is a gentleman's overcoat typically with notched lapels which originated in the late 19th century as a "short topcoat" to be worn for hunting and horse riding.
A coatdress or coat dress is a woman's dress that resembles an overcoat, usually with collar, lapels and front fastenings similar to a coat, and made in spring- or autumn-weight fabrics. [1] The modern coatdress first emerged in the 1910s, with a 1915 article in Vogue assuring readers that the new garment could be worn over waistcoats or ...
William Curtis Noyes wears an overcoat with very wide lapels, wide cuffs, a contrasting (probably velvet) collar, and braid trim over a frock coat, waistcoat, and trousers which appear to be made of matching fabric. The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–65.
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