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The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. [1] Chthonic is the technical adjective for things of the underworld.
The hell of Swahili mythology is called kuzimu, ... According to the Roman Catholic Church, the Council of Trent taught, in the 5th canon of its 14th session, ...
He was subsequently adopted by Buddhist, Chinese, Tibetan, Korean, and Japanese mythology as the king of hell. Maya death god "A" way as a hunter, Classic period The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld.
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
The gates of hell are various places on the surface of the world that ... In the middle of the Roman Forum is ... a modern urban legend concerning the myth; ...
Dis Pater (/ ˌ d ɪ s ˈ p eɪ t ər /; Latin: [diːs patɛr]; genitive Ditis Patris), otherwise known as Rex Infernus or Pluto, is a Roman god of the underworld. Dis was originally associated with fertile agricultural land and mineral wealth, and since those minerals came from underground, he was later equated with the chthonic deities Pluto ...
The best-known myth involving Pluto or Hades is the abduction of Persephone, also known as Kore ("the Maiden"). The earliest literary versions of the myth are a brief mention in Hesiod's Theogony and the extended narrative of the Homeric Hymn to Demeter; in both these works, the ruler of the underworld is named as Hades ("the Hidden One").
To ancient Roman mythology, Dis Pater ("Father Dis") is the ruler of the underworld. [3] In the sixth book of Virgil's Aeneid (one of the principal influences on Dante in his depiction of Hell), the hero Aeneas enters the "desolate halls and vacant realm of Dis".