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Jennifer A. Thompson, "The Battle of the USS 'Kearsarge' and the CSS 'Alabama' by Edouard Manet (cat. 1027)" [permanent dead link ] in The John G. Johnson Collection: A History and Selected Works [permanent dead link ], a Philadelphia Museum of Art free digital publication. Manet/Degas exhibition at Musée d'Orsay, from 28 March to 23 ...
J Paul Getty Museum (Los Angeles) The Spanish Singer: 1860: 147.3 × 114.3 cm: Metropolitan Museum of Art (New York) Boy Carrying a Sword: 1861: 131.1 × 93.4 cm: Metropolitan Museum of Art (New York) The Surprised Nymph: 1860 / 1861: 146 × 114 cm: Museo Nacional de Bellas Artes (Buenos Aires) Street Singer: 1862: 174 × 118 cm: Museum of Fine ...
Scott Allen, Emily A. Beeny, Gloria Groom: Manet and modern beauty, the artist's last years. Art Institute of Chicago und J. Paul Getty Museum Los Angeles 2019–2020, J. Paul Getty Museum, Los Angeles 2019, ISBN 978-1-60606-604-1. Denis Rouart, Daniel Wildenstein: Edouard Manet: Catalogue raisonné. Bibliothèque des Arts, Paris und Lausanne 1975.
Baltimore Museum of Art, Baltimore. 1951. From El Greco to Pollock: Early and Late Works by European and American Artists. Baltimore Museum of Art, Baltimore. 1968. Manet and Modern Paris. National Gallery of Art, Washington. 1982–1983. Manet, 1832–1883. Galeries nationales du Grand Palais, Paris; The Metropolitan Museum of Art, New York. 1983.
The Funeral (1867-1870) by Édouard Manet. The Funeral (French – L'Enterrement) is an 1867–1870 oil on canvas painting by Édouard Manet, now in the Metropolitan Museum of Art in New York. Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867 (Rouart, Widenstein 1975 no. 123).
Philadelphia Museum of Art, Philadelphia The Battle of the Kearsarge and the Alabama is an 1864 oil painting by Édouard Manet . The painting commemorates the Battle of Cherbourg of June 19, 1864, a naval engagement of the American Civil War between the Union cruiser USS Kearsarge and the Confederate raider CSS Alabama .
Portrait of Victorine Meurent (1862) by Édouard Manet. Portrait of Victorine Meurent is an 1862 oil on canvas painting by Édouard Manet, now in the Boston Museum of Fine Arts. It shows Victorine Meurent aged 18, also shown by Manet in his The Street Singer a few months later [1]
For his painting, Manet posed her in his studio. By including a dish of oranges in the foreground, Manet identifies the barmaid as a prostitute, according to art historian Larry L. Ligo, who says that Manet habitually associated oranges with prostitution in his paintings. [7] T. J.
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