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Sonnet 44 is an English or Shakespearean sonnet, which contains three quatrains followed by a final rhyming couplet.It follows the typical rhyme scheme of the form ...
AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end. aBaB – Two different possible meanings for a four-line stanza:
The rhyming couplet entered English verse in the early Middle English period through the imitation of medieval Latin and Old French models. [3] The earliest surviving examples are a metrical paraphrase of the Lord's Prayer in short-line couplets, and the Poema Morale in septenary (or "heptameter") couplets, both dating from the twelfth century.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Sonnet 43 is an English or Shakespearean sonnet.English sonnets contain three quatrains, followed by a final rhyming couplet.It follows the form's typical rhyme ...
The first and second quatrains both open with a rather unassertive initial inversion; the 5th line also exhibits a rightward movement of the third ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic): / × × / × × / / × / Then, in the blazon of sweet beauty's best, (106.5)
Stephen Booth draws attention to the discrepancies between the first and second quatrains and remedies this discrepancy by explaining the speaker's true purpose in the first quatrain. He says, "This sonnet is a variation of Shakespeare's habits of damning with fulsome praise and of making flattering accusations."