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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
Arabesque: The flyer extends and points their leg out behind them and attempt to turn their hip socket out so when the leg is out straight, the side of the leg is facing the audience. [ 38 ] No-Hands, Chin Chin, or Cry Baby : The flyer takes their foot, bends it under their chin, then lets it sit there without any hands.
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, ...
The Islamic arabesque is a form of artistic decoration consisting of "rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [13] often combined with other elements. It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. [14]
A spiral is an element in figure skating where the skater glides on one foot while raising the free leg above hip level. It is akin to the arabesque in ballet.. Spiral positions are classified according to the skating leg (left or right), edge (outside or inside), direction the skater is traveling (forward or backward), and the position of the free leg (backward, forward, sideways).
A dancer is in croisé derrière if at a 45 degree angle to the audience, the upstage leg (farthest from the audience) is working to the back and the arms are open in third, fourth, or allongé in arabesque with the upstage arm being the one out towards second, e.g. arabesque croisée or Russian fourth arabesque.
According to the New York Times, here's exactly how to play Strands: Find theme words to fill the board. Theme words stay highlighted in blue when found.
distinctive arabesque line with the hip open to the audience and the side arm pressed back; athletic dance quality. fluidity and lightness, best demonstrated by ballerinas with long, thin figures *Suki Schorer has described the Balanchine arabesque as "longer, stronger and bigger". Balanchine would instruct students to "reach for diamonds" in ...