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In the summer of 2015, Tel launched a crowdfunding campaign on Indiegogo [22] in order to produce a remix album (called 'Tel Me More') of his best C64 music. [23] [24] [25] Of the $38,911 (a nod to the amount of free memory bytes when starting up a Commodore 64) goal, $27,420 was reached by a total of 699 backers.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.
Industrial noise control is a subset of interior architectural control of noise, with emphasis on specific methods of sound isolation from industrial machinery and for protection of workers at their task stations. Sound masking is the active addition of noise to reduce the annoyance of certain sounds, the opposite of soundproofing.
Control of the synthesizer is realized with software or via a control panel with knobs, LEDs, LCD, etc., which may optionally be mounted on a keyboardless Commodore 64 body. The Prophet64 is a cartridge for the Commodore 64. It features four separate music applications, mimicking everything from modern sequencers to the Roland TB-303/909 series
Of the robot voice effects listed here, this one requires the least resources, since delay units are a staple of recording studios and sound editing software. As the effect deprives a voice of much of its musical qualities (and has few options for sound customization), the robotic delay is mostly used in TV/movie applications.
Noise control is a set of strategies to reduce noise pollution by reducing noise at its source, by inhibiting sound propagation using noise barriers or similar, or by the use of ear protection (earmuffs or earplugs). [20] Control at the source is the most cost-effective way of providing noise control.
The Aphex aural exciter was one of the first exciter effects. The effect was developed in the mid-1970s by Aphex Electronics. The aural exciter adds phase shift and musically related synthesized harmonics to audio signals. The first Aural Exciter units were available in the mid-1970s, exclusively on the rental basis of $30 per minute of ...
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