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Monument to Vincenzo Scamozzi. Church of San Lorenzo, Vicenza. Scamozzi was born in Vicenza. His father was the surveyor and building contractor Gian Domenico Scamozzi; he was Scamozzi's first teacher, imbuing him with the principles of Sebastiano Serlio, laid out in Serlio's book. Vincenzo visited Rome in 1579–1580, and then moved to Venice in
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This theatre, which was designed by Vincenzo Scamozzi, is sometimes also referred to, somewhat confusingly, as the "Teatro Olimpico ", [13] and some of its design elements, including most notably the colonnade behind the seating area and the self-conscious references to ancient Rome, are clearly drawn from the original Teatro Olimpico.
The following year Vincenzo Scamozzi was selected to oversee the construction of the final five bays, continuing Sansovino's design for the façade. [75] This brought the building down to the embankment of Saint Mark's Basin and into alignment with the main façade of the mint. Scamozzi added the crowning statues and obelisks.
Rocca Pisana is a 16-century patrician villa in the comune of Lonigo, province of Vicenza, northern Italy, designed by the architect Vincenzo Scamozzi for the Pisani family. In Italy there are several villas called Villa Pisani, which take their name from this powerful Venetian family. This villa is also known as "La Rocca" or "La Rocca Pisana".
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Scamozzi, the villa's principal architect, had been a pupil of Palladio and was largely responsible for carrying Palladio's classicising style into the 17th century. His L'idea dell'architettura universale, published in 1615, coupled with Palladio's I quattro libri dell'architettura (1570) were to spread their classically based architecture throughout Europe and the New World. [3]