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Faust: A Tragedy (German: Faust. Eine Tragödie, pronounced [faʊ̯st ˈaɪ̯nə tʁaˈɡøːdi̯ə] ⓘ, or Faust. Der Tragödie erster Teil [Faust. The tragedy's first part]) is the first part of the tragic play Faust by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. [1]
Johann Wolfgang von Goethe [a] (28 August 1749 – 22 March 1832) was a German polymath, who is widely regarded as the greatest and most influential writer in the German language. His work has had a profound and wide-ranging influence on Western literary , political , and philosophical thought from the late 18th century to the present day.
When Goethe completed Werther, he likened his mood to one experienced “after a general confession, joyous and free and entitled to a new life”. For Goethe the Werther effect was a cathartic one, freeing himself from the despair in his life. [3] The book reputedly also led to some of the first known examples of copycat suicide. The men were ...
Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages.
Frontispiece and title page of the first edition, Cotta publishing house, Stuttgart, 1819. West–östlicher Divan (German: [ˈvɛst ˈœstlɪçɐ ˈdiːvaːn] ⓘ; West–Eastern Diwan) is a diwan, or collection of lyrical poems, by the German poet Johann Wolfgang von Goethe.
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
Goethe dictated schemes and drafts for Dichtung und Wahrheit, after he had finished his Theory of Colours, in summer 1810 in Carlsbad. [2] He first worked on the autobiography in parallel to his work on Wilhelm Meister's Journeyman Years; from January 1811 on, the autobiography became his main endeavor. [2]
Mephistopheles and Margaretta is a 19th-century wooden double sculpture featuring two images carved on opposite sides; it portrays two characters from German playwright Johann Wolfgang von Goethe's 1808 play Faust. The obverse depicts the demon Mephistopheles, and the reverse depicts a woman, Margaretta (Margaret, or Gretchen). A mirror placed ...