Search results
Results from the WOW.Com Content Network
Athiyaman Neduman Anji was one of the most powerful Velir kings of the Sangam era who ruled the region called Mazhanadu. [1] A famous royal Athiyaman family dynasty was the contemporary and the patron of poet Avvaiyar of the Sangam period. [ 2 ]
This Athiymān king was a descendant of the Satyaputra dynasty mentioned in Asoka's edicts. [13] The inscription records the endowment of a cave-shelter by the chieftain Atiyan Netuman Anci who sports the title Satiyaputo. The inscription gives the name of his clan (Atiyan), of his father (Netuman) and of himself (Anci).
Defeat against Athiyaman. In 118 CE, he waged war on Thagadoor against the famous Athiyamān Nedumān Añci. It was an attempt fuelled by his longtime desire to become an emperor equivalent in power to the Cholas. After a fierce battle, Kāri would lose Kovalur to Athiyamān and would only regain it much later after Peruncheral Irumporai sacks ...
The Pudukkottai Thondaiman dynasty was founded by Raghunatha Thondaiman, the brother-in-law of the then Raja of Ramnad, RaghunathaKilavan Setupati. The Pudukottai Samasthanam was under Thondaiman dynasty for one year even after Indian Independence. The Thondaiman dynasty had a special Valari regiment.
Pakistani art has a long tradition and history. It consists of a variety of art forms, including painting, sculpture, calligraphy, pottery, and textile arts such as woven silk. Geographically, it is a part of the Indian subcontinent art, including what is now Pakistan. [91]
The Chola dynasty ruled from before the Sangam period (~3rd century BCE) until the 13th century in central Tamil Nadu. The heartland of the Cholas was the fertile valley of the Kaveri. The Pandyan dynasty ruled parts of South India until the late 17th century. The heartland of the Pandyas was the fertile valley of the Vaigai River.
The period of the imperial Cholas (c. 850 CE – 1250 CE) in South India was an age of continuous improvement and refinement of Chola art and architecture. They utilised the wealth earned through their extensive conquests in building long-lasting stone temples and exquisite bronze sculptures, in an almost exclusively Dravidian cultural setting.
The art of coin making in the Pandyan dynasty used punch-marking methods, which was a type of early Indian coinage known for its unique symbols and irregular shapes. They ranged in colours from gold, silver and copper, depending on the political influence of the time. [ 19 ]