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The Strauss Family is a 1972 British Associated Television series of eight episodes, [1] about the family of composers of that name, including Johann Strauss I and his sons Johann Strauss II, Eduard Strauss and Josef Strauss. [1]
Johann Strauss I, 1835 lithograph by Josef Kriehuber. Johann Baptist Strauss I (/ s t r aʊ s /; German: [ˈjoːhan bapˈtɪst ˈʃtʁaʊs]; 14 March 1804 – 25 September 1849), also known as Johann Strauss Sr., the Elder or the Father (German: Johann Strauß Vater), was an Austrian composer of the Romantic Period.
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The 1938 MGM film The Great Waltz loosely inspired by the life of Johann Strauss II tells a fictional story of the waltz's creation. The waltz was also featured in a condensed version in the first segment of the 1943 Warner Bros. Merrie Melody animated short A Corny Concerto and also prominently in the 1987 television film Escape from Sobibor. [1]
Wiener Carneval (Viennese Carnival), opus 3, is a waltz composed by Johann Strauss I in 1828. The waltz was intended as a contribution to the carnival of 1828 Johann Strauss appeared as leader of a group of musicians at the balls at the Kettenbrücke in Leopoldstadt.
The Strauss Dynasty (German: Die Strauß-Dynastie) is an Austrian biographical film in six parts from 1991. It depicts the careers of Johann Strauss (father), the composer of the Radetzky March, and his son Johann Strauss (son) ("Schani"), the composer of the waltz The Blue Danube, who, despite his father's resistance, also became a musician and competed with his father as a waltz composer.
The Museum of the Strauss Dynasty was founded by the private association Kulturverein Wiener Blut [1] and presents many items from the collection of the association, as well as items loaned by the Strauss family and others. Following a special preview evening on 15 March 2015, it was opened to the general public on 18 March.
The waltz's title was an allusion to Vienna's press, with whom he maintained a fruitful partnership that his family had enjoyed since the days of his father Johann Strauss I. The more or less symbiotic association was needed as the musical business of composers would inevitably flourish under favorable press reviews and the establishment of the ...