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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
It is the portion of a page left unmarked: margins, gutters, and space between columns, lines of type, graphics, figures, or objects drawn or depicted, and is not necessarily actually white if the background is of a different colour. The term arises from graphic design practice, where printing processes generally use white paper. White space ...
In painting, local color is the color of an object when seen under flat white light with no adjustment for form shadow or colors of light or secondary light sources. An example would be the assumption that an apple is "red" when it is actually dependent on the color of the light hitting it, color of objects around it, glossiness, and variations within the colors on the surface of the apple itself.
Color is present when light strikes an object and is reflected back into the eye, a reaction to a hue arising in the optic nerve. [6] The first of the properties is hue, which is the distinguishable color, like red, blue or yellow. [6] The next property is value, meaning the lightness or darkness of the hue. [6]
A color term (or color name) is a word or phrase that refers to a specific color. The color term may refer to human perception of that color (which is affected by visual context) which is usually defined according to the Munsell color system , or to an underlying physical property (such as a specific wavelength on the spectrum of visible light ).
To O'Doherty, the white cube space is a designed social, financial, and intellectual snobbery, where art has to occupy large expensive spaces. He sees the white walls neutrality as an illusion, binding artist and the elite spectator together, while the cube is an acceptance of the estrangement of the artist from society and the artist who ...
During the early to mid-1960s, color field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray ...
In interior design, a wash or color wash of paint on a wall can be used to create a textured effect as a faux finish. [2] In ceramics, a wash is typically a coloring oxide thinned with water applied to the piece to achieve an effect similar to a glaze. [3] Digital image creation software can have features that simulate the painting technique. [4]