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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]
Dante Meditating on the Divine Comedy.Jean-Jacques Feuchère, 1843. Literary fiction, mainstream fiction, non-genre fiction, serious fiction, [1] high literature, [2] artistic literature, [2] and sometimes just literature, [2] are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre (see genre fiction) or, otherwise, refer to novels that are ...
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The novel is told from the point of view of a fictional Kyrgyz artist, Seit, who tells the story by looking back on his childhood. [4] The story recounts the love between his new sister-in-law Jamilya and a local crippled young man, Daniyar, while Jamilya's husband, Sadyk, is "away at the front" (as a Soviet soldier during World War II). [4]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The first edition of The Norton Anthology of English Literature, printed in 1962, comprised two volumes.Also printed in 1962 was a single-volume derivative edition, called The Norton Anthology of English Literature: Major Authors Edition, which contained reprintings with some additions and changes including 28 of the major authors appearing in the original edition.
In The Critical Difference (1980), Johnson argues that any model of difference as a polarized difference "between entities (prose and poetry, man and woman, literature and theory, guilt and innocence)" is necessarily founded upon "a repression of differences within entities" (pp. x-xi). In this book, Johnson explores how the unknown and the ...