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"Derrida, Algeria, and 'Structure, Sign, and Play'" — essay by Lee Morrissey interpreting the lecture/essay with respect to Derrida's Algerian background; Lecture about "Structure, Sign, and Play" by Paul Fry at Yale University (February 2009) Lecture about "Structure, Sign, and Play" by John David Ebert on YouTube.
Freeplay (French: jeu libre) is a literary concept from Jacques Derrida's 1966 essay, "Structure, Sign, and Play in the Discourse of the Human Sciences". In his essay, Derrida speaks of a philosophical "event" that has occurred to the historic foundation of structure. Before the "event", man was the center of all things.
Derrida refers to this process as espacement or "spacing" and temporisation or "temporising". Derrida developed the concept of différance deeper in the course of an argument against the phenomenology of Husserl, who sought a rigorous analysis of the role of memory and perception in our understanding of sequential items such as music or language.
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French Algerian philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
In "Structure, Sign, and Play", Derrida articulates Nietzsche's perspective as: ... the joyous affirmation of the play of the world and of the innocence of becoming, the affirmation of a world of signs without fault, without truth, and without origin which is offered to an active interpretation. [7]
The following is a bibliography of works by Jacques Derrida. The precise chronology of Derrida's work is difficult to establish, as many of his books are not monographs but collections of essays that had been printed previously. Virtually all of his works were delivered in slightly different form as lectures and revised for publication.
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Ferdinand de Saussure (1857–1913), it is claimed by Derrida, follows this logocentric line of thought in the development of his linguistic sign and its terminology. Where the word remains known as the whole sign, the unification of concept and sound-image becomes the unification of the signified and the signifier respectively. [7]