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The Book of Odes (Ancient Greek: Ὠδαί), also known as the Biblical Odes, refers to a collection of hymns and prayers referencing the Bible and used as a part of liturgies in some denominations. The biblical odes form the basis for the Eastern Orthodox canon sung during matins and other services.
According to James H. Charlesworth, "the key characteristic in these hymns is a joyous tone of thanksgiving for the advent of the Messiah who had been promised (cf. Ode 7:1-6; 41:3-7) and for the present experience of eternal life and love from and for the Beloved (3:1-9; 11:1-24; 23:1-3; 26:1-7; 40:1-6)".
The Octateuch (/ ˈ ɒ k t ə tj uː k /, from Ancient Greek: ἡ ὀκτάτευχος, romanized: he oktateuchos, lit. 'eight-part book') is a traditional name for the first eight books of the Bible, comprising the Pentateuch, plus the Book of Joshua, the Book of Judges and the Book of Ruth. [1]
In spite of the name, the included texts have broad coverage and do not necessarily relate to the Old Testament. William W. Hallo, writing in the Journal of the American Oriental Society in 1970, described it as "a modern classic ever since its first appearance in 1950", because "for the first time it assembled some of the most significant Ancient Near Eastern texts in authoritative ...
Page from Codex Sinaiticus with text of Matthew 6:4–32 Alexandrinus – Table of κεφάλαια (table of contents) to the Gospel of Mark. The great uncial codices or four great uncials are the only remaining uncial codices that contain (or originally contained) the entire text of the Bible (Old and New Testament) in Greek.
The second half of the book, The Forgotten Books of Eden, includes a translation originally published in 1882 of the "First and Second Books of Adam and Eve", translated first from ancient Ethiopic to German by Ernest Trumpp and then into English by Solomon Caesar Malan, and a number of items of Old Testament pseudepigrapha, such as reprinted ...
Plus, the origin behind the phrase 'Beware the Ides of March.'
The Biblical odes are not identical in meter, and so although all the music is performed in the same mode each ode must comprise an individual composition. However, in the original Greek compositions, the irmos and troparia would by design be of the same meter and so could use the same melody.