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Ansel Adams wrote about visualization in photography, defining it as "the ability to anticipate a finished image before making the exposure.” [2] The term previsualization has been attributed to Minor White, who divided visualization into previsualization, what occurs while studying the subject, and postvisualization, how the visualized image is rendered at printing.
Pre-rendering is the process in which video footage is not rendered in real-time by the hardware that is outputting or playing back the video. Instead, the video is a recording of footage that was previously rendered on different equipment (typically one that is more powerful than the hardware used for playback).
Victor Timely first appeared in The Avengers Annual #21 and was created by Peter Sanderson and Rich Yanizeski. [1] Due to the events of The Celestial Madonna Saga, every action taken by Kang the Conqueror, Pharaoh Rama-Tut, and Immortus due to the actions of "Prime Kang" leads to each of their travels into the past creating divergent versions of themselves, all of whom seek to rule their own ...
continues from Timely Comics series [32] Crime Exposed: vol. 2 #7–14 Dec 1951 – Jun 1952 continues from Timely Comics series [34] Crime Fighters #11–13 Sep 1954 – Jan 1955 continues from Timely Comics Crimefighters [35] Crime Must Lose #10–12 Dec 1951 – Apr 1952 continues from Timely Comics series [36] A Date with Millie: vol. 1 #1–7
Quickly rendered animations can be saved directly as video files, but for high-quality rendering, individual frames (which may be rendered by different computers in a cluster or render farm and may take hours or even days to render) are output as separate files and combined later into a video clip. [33] [24]: 1.5, 3.11, 8.11
The following is a list of Marvel Comics Golden Age characters and teams that first appeared in Marvel Comics during the Golden Age of Comic Books (late 1930s and c. 1950), under both of Marvel's previous names, Timely Comics and Atlas Comics.
American Larry Brown and Anita Hansen, from Denmark, were strangers who met on the Eiffel Tower in 1989 and became friends, kickstarting an unexpected love story.
Every Frame a Painting is a series of video essays about film form, editing, and cinematography created by Taylor Ramos and Tony Zhou between 2014 and 2016, published on YouTube and Vimeo. The series is considered a pioneer of film criticism on YouTube, and has been praised by several filmmakers.
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