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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
Suite for Chamber Orchestra and Jazz Piano Trio Suite for Cello and Jazz Piano Trio Suite No. 2 for Flute and Jazz Piano Trio Sonatas for Two Pianists: Aaron Copland: 1920–21 1925 1926 1946 1947–48 1949 1961 Three Moods for piano Music for the Theater Concerto for Piano and Orchestra Danzón cubano Concerto for Clarinet and Orchestra Four ...
After the Morning was released by the Canadian label Dominic Sciscente Music. [1] The Penguin Guide to Jazz identified the shorter pieces as highlights – "often little more than a theme statement and a brief, cadenza-like solo." [2] [note 1] The reviewers described the piano sound as "respectable for the time, but a bit cavernous." [2]
Len Lyons depicts Lewis's piano, composition and personal style when he introduces Lewis in Lyons' book The Great Jazz Pianists: "Sitting straight-backed, jaw rigid, presiding over the glistening white keyboard of the grand piano, John Lewis clearly brooks no nonsense in his playing, indulges in no improvisational frivolity, and exhibits no ...
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
A majority of tracks on the album were centered around the trio of Jack Bruce, guitarist Chris Spedding, and drummer Jon Hiseman.According to Spedding, he and Hiseman were not provided with arrangements or direction on how to play; Bruce simply played them the piano part for each song and expected them to provide whatever accompaniment felt right without knowing what the vocals or other ...
His father was a fan of jazz and swing music, [12] particularly Frank Sinatra, [8] and had played the saxophone, trumpet, and piano in big bands. [9] [14] Turner himself was taught some scales on the family keyboard by his father [14] [15] and took professional piano lessons until he was eight years old.
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