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Bronze mirrors were produced in China from Neolithic times [citation needed] until Western glass mirrors were brought to China. Bronze mirrors were usually circular, with one side polished bright, to give a reflection, and the reverse side normally decorated in cast relief in early examples, later on sometimes inlaid in precious metal. They ...
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
Before it became possible to produce glass with acceptably flat surfaces, bronze was a standard material for mirrors. Bronze was used for this purpose in many parts of the world, probably based on independent discoveries. Bronze mirrors survive from the Egyptian Middle Kingdom (2040–1750 BCE), and China from at least c. 550 BCE.
New Aranmula Kannadi Aranmula kannadi Aranmula kannadi in its raw, unpolished form Aranmula kannadi in various etched brass frames on display. Aranmula Kannadi, meaning the Aranmula mirror, is a handmade, metal-alloy, first surface mirror made in Aranmula, a small town in Pathanamthitta in the state of Kerala, India.
Ptolemaic Egypt had manufactured small glass mirrors backed by lead, tin, or antimony. [4] In the early 10th century, the Persian scientist al-Razi described ways of silvering and gilding in a book on alchemy, [citation needed] but this was not done for the purpose of making mirrors. Tin-coated mirrors were first made in Europe in the
The mirrors were made out of solid bronze. The front was polished and could be used as a mirror, while the back has a design cast in the bronze, [2] or other decoration. When sunlight or other bright light shines onto the mirror, the mirror appears to become transparent. If that light is reflected from the mirror onto a wall, the pattern on the ...
There are numerous Chinese names for the fire-producing "sun-mirror" and water-producing "moon-mirror". These two bronze implements are literary metaphors for yin and yang, associating the "yang-mirror" yangsui with the Sun (a.k.a. tàiyáng 太陽 "great yang"), fire, dry, and round, and the "yin-mirror" fangshu with the Moon (tàiyīn 太陰 "great yin"), water, wet, and square.
Examples of stone magatama from the Kofun period are especially numerous. An excavation of the Kamegaoka Kofun, Kishiwada, Osaka, revealed a local who had been buried with a jade, jasper, and alabaster magatama necklace, as well as magatama placed near the feet. A bronze mirror imported from China accompanying the burial was dated to 239 CE.
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