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J. Gordon Holt in 2005. Justin Gordon Holt (19 April 1930 – 20 July 2009) was an audio engineer and the founder of Stereophile magazine, and is widely considered to be the founder of the high-end audio movement, which promoted the philosophy of judging sound quality by subjective tests, generally with "cost no object" sound components, including loudspeakers, turntables, amplifiers, vacuum ...
Stereophile was founded in 1962 [2] by J. Gordon Holt. With the August 1987 issue, it started monthly publication. In 1998, Stereophile was acquired by the Petersen Publishing Company. [3] At this point, it was based in Santa Fe, New Mexico. [2] During this period, it was published eight times a year. [2]
A review of the 901 by Stereophile magazine in 1979 concluded: [29] If we were to judge the 901 in terms of the best sound available, then, we would say that it produces a more realistic semblance of natural ambience than any other speaker system, but we would characterize it as unexceptional in all other respects.
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In 2013, Bonnier sold it to Source Interlink, who merged it with its previously owned consumer electronics magazine Home Theater. [6] [7] In March 2018, Sound & Vision was purchased, along with related magazines and websites, by AVTech Media Ltd. [8] One of the key features of the magazine was the permanence of its staff. Some staffers stayed ...
If sound was heard, the audio amps had different properties). Bob Carver used "distortion pots" to introduce amplifier characteristics, fine-tuned to null-out any sound differences. His modified amplifier sound was so similar, Stereophile Magazine editors could not tell the difference between his amplifier and one costing more than $6,000. [5]
A Mac Mini as a home theater PC showing Apple's discontinued Front Row interface. A home theater PC (HTPC) or media center computer is a convergent device that combines some or all the capabilities of a personal computer with a software application that focuses on video, photo, audio playback, and sometimes video recording functionality.
During the 1990s, he ran his own magazine called The Tracking Angle. [6] For many years, he was the editor of Analog Planet and contributing editor at Stereophile and Sound&Vision. [7] In 2022 he left Analog Planet and returned to The Absolute Sound and, along with Nick Despotopoulos and David L’Heureux, revived The Tracking Angle as a ...