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The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Vespro della Beata Vergine in King's College Chapel, Cambridge.A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century.
Lost work (ref. Monteverdi letter 26 March ) [7] 1611: Sacred: 2 motets: 2–5 voices: Lost work (ref. Monteverdi letter 26 March ) [7] 1614: Madrigal/song: 107–116: Il sesto libro de madrigali (Sixth Book of Madrigals, 10 pieces, details table L below) 5–7 voices, basso continuo: Monteverdi, Venice 1614, repub. 1615, 1620, 1639
Monteverdi-Chor Hamburg, Vienna Concertus Musicians: Jürgen Jürgens: LP: Telefunken AWT 9501-2 CD (1994): Teldec 4509 92175-2: Period instruments. [2] [3] 1967: Gregg Smith Singers, Texas Boys Choir of Fort Worth, Colombia Baroque Ensemble: Robert Craft: LP: Columbia M2L 363 CD (1996): Sony 62656: Items in not in the usual order. Modern ...
These lists show the audio and visual recordings of Il ritorno d'Ulisse in patria ("The Return of Ulysses to his Homeland") by Claudio Monteverdi.The opera was premièred in Venice in 1640, initially in five acts, and was then performed in Bologna before returning to Venice for the 1641–42 season.
The first recording of L'incoronazione, with Walter Goehr conducting the Tonhalle-Orchester Zürich in a live stage performance, was issued in 1954. This LP version, which won a Grand Prix du Disque in 1954, [1] is the only recording of the opera that predates the revival of the piece that began with the 1962 Glyndebourne Festival production.
English Baroque Soloists, Monteverdi Choir John Eliot Gardiner: LP (1987): Deutsche Grammophon Archiv Produktion 419 250-1 (2 discs) CD 919870 DG Archiv Produktion 419 250-2 {2 CDs} [15] [18] 1991 John Mark Ainsley Julia Gooding Catherine Bott (La musica, Messenger, Proserpina) New London Consort Philip Pickett: CD (1993): Decca L'Oiseau Lyre ...
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Seven other opera projects are known; four were completed and performed during Monteverdi's lifetime, while he abandoned another three at some point. The libretto has survived for some of these lost operas. The opera genre emerged during Monteverdi's earlier career, first as courtly entertainment trying to revive Greek theatre. [1]