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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Othello is the title character of Othello. A Moorish general in the Venetian army, he is persuaded by Iago that his wife Desdemona is having an affair with Michael Cassio. Some Outlaws, three of which are speaking roles, initially try to rob Valentine, but decide to invite him to be their leader, in The Two Gentlemen of Verona.
Download as PDF; Printable version; ... Othello (character) Owen Glendower (Shakespeare character) John de Vere, 13th Earl of Oxford; P. Pandarus;
Michael Cassio, or simply Cassio (/ ˈ k æ s i oʊ /), is a fictional character in William Shakespeare's Othello. The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader". In the play, Cassio is a young and handsome lieutenant under Othello's command who ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Characters, to him, centres excessively on Shakespeare's characters and, worse, Hazlitt "confuses fiction and reality" and discusses fictional characters as though they were real people. [331] Yet he also notes, a half-century after Saintsbury, and following Schneider's lead, that for all of Hazlitt's impressionism, "there is more theory in ...