Search results
Results from the WOW.Com Content Network
The Harrowing of Hell, Petites Heures, 14th-century illuminated manuscript commissioned by John, Duke of Berry Christ leading Adam by the hand, depicted in the Vaux Passional, c. 1504 Before his resurrection from the dead, Jesus Christ grants salvation to souls by the Harrowing of Hell.
The Harrowing of Hell is an eighth-century Latin work in fifty-five lines found in the Anglo-Saxon Book of Cerne (folios 98v–99v). It is probably a Northumbrian work, written in prose and verse, where the former serves either as a set of stage directions for a dramatic portrayal or as a series of narrations for explaining the poetry.
The Harrowing of Hell. The Harrowing of Hell is thought to have been started by Le Noir and completed by Pseudo-Jacquemart (fol. 166). The Harrowing of Hell is derived from the Apostles' Creed and the Athanasian Creed, which state that Jesus descended into Hell before his resurrection in order to save the righteous who had come before his ...
Play 33: The Harrowing of Hell; Play 34: Burial of Christ & Guarding of the Sepulchre; Play 35: The Harrowing of Hell, B; Christ's Appearance to Mary; Pilate Berates the Soldiers; Play 36: The Three Marys at the Tomb of Christ; Play 37: Christ's Appearance to Mary Magdalene; Play 38: Christ's Appearance to Cleophas, Luke, and Thomas
Articles related to the Harrowing of Hell and its depictions. This is a term referring to the period of time between the Crucifixion of Jesus and his resurrection.In triumphant descent, Jesus brought salvation to the souls held captive there since the beginning of the world.
A 16th-century depiction of the Harrowing of Hell by a follower of Hieronymus Bosch. Dante's Limbo is modelled after the Ancient Greek concept of Elysium, the part of the Greek underworld reserved for those in classical mythology who had lived good lives. [10]
The Harrowing of Hell, Petites Heures, 14th-century illuminated manuscript for John, Duke of Berry. In multiple places in The Silmarillion and The Lord of the Rings, Tolkien echoes and in Robert Steed's words "creatively adapts" the medieval theme of the Harrowing of Hell.
Icon representing Christ's Harrowing of Hell, from the Ferapontov Monastery. Dionisius (Russian: Диони́сий, romanized: Dionisy; c. 1440 – 1503/1508) [1] [2] was a Russian icon painter who was one of the most important representatives of the Moscow school of icon painting at the turn of the 15th and 16th centuries. [1]