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Cello Sonata No. 2 in A minor, Op. 41 (1900) Cello Sonata No. 3 in G minor (1905) Cello Sonata No. 4 in C minor (1906) Cello Sonata No. 5 in B minor, Op. 56 (1907–10) Cello Sonata No. 6 in D (1914–15) Cello Sonata No. 7 in F-sharp minor (1917) Cello Sonata No. 8 in D minor (1926) Cello Sonata No. 9 in E minor (1927)
Cello Concerto No. 1 in D, H 196 I (1930 Polička), H 196 II (1939 Paris), H 196 III (1955 Nice) [9] Cello Concerto No. 2, H 304 (1945 New York) Concertino for Cello, Winds, Percussion and Piano in C minor, H 143 (1924 Paris) Sonata da Camera for violoncello and small orchestra, H 283 (1940 Aix-en-Provence) [10]
G 18: Cello Sonata in C minor (may also be for viola) G 19: Cello Sonata in F major; G 562: Cello Sonata in G minor; G 563: Cello Sonata in G major; G 564: Cello Sonata in D major; G 565a: Cello Sonata in B-flat major; G 565b: Cello Sonata in B-flat major; G 566: Cello Sonata in E-flat major; G 567: Cello Sonata in E-flat major; G 568: Cello ...
Figment No. 2, Remembering Mr. Ives (2001) Gaspar Cassadó. Suite (1926) Geghuni Chitchjan. Sonata for solo cello (1983) Frédéric Chopin. Etude in A ♭ major, Op. 25, No. 1 (trans. Cassadó) Nigel Clarke. Spectroscope (1987) Sonata in D minor for baroque cello or viola da gamba (2009) Michael Colgrass. Wolf (1975) Giuseppe Colombi (1635–1694)
The second movement is a moto perpetuo in G minor. It ends abruptly in a cadenza, followed by a major-key recapitulation of the first movement, and a coda. Along with the solo cello, the concerto is scored for an orchestra consisting of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings.
The Second Cello Concerto is in C minor. Cello Concerto No. 2 does not follow a traditional concerto structure like Concerto No. 1 as it has a slow-fast-slow pattern. This structure was influenced by Kabalevsky's teacher, Nikolai Myaskovsky. [12] The movements are as follows:
No.1, Cello Sonata in E minor; No.2, Cello Sonata in G Major; No.3, Cello Sonata in B-flat Major; Opus 39, String Quartet No 9 in D Minor; Opus 41, Concertino in E minor for cello and orchestra; Opus 42, Divertimento on Swedish National Themes; Opus 43, 3 Sonatas (Also played as trios for viola, cello and bass). (and as duos for 2 cellos). No.1 ...
The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument. [2] The work has three movements: