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Raden Adjeng Kartini, also known as Raden Ayu Kartini (21 April 1879 – 17 September 1904), [a] was a prominent Indonesian activist who advocated for women's rights and female education. She was born into an aristocratic Javanese family in the Dutch East Indies (present-day Indonesia ).
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Interior of the Pagaruyung Palace, showing the long common area of a rumah gadang. The two-level floor is a symbolic element specific to the palace. Each element of a rumah gadang has its own symbolic meaning, which is referred to in adat speech and aphorisms. The elements of a rumah gadang includes: gonjong, hornlike roof structure
Kartini (subtitled Princess of Java in other regions) is a 2017 Indonesian biographical family drama film directed by Hanung Bramantyo and written by Bramantyo and Bagus Bramanti. It features an ensemble cast, with Dian Sastrowardoyo starring in the title role of Indonesian woman emancipation heroine, Kartini .
In 2007, Kartini was ranked 28th on Forbes' list of richest Indonesians, with wealth of $260 million. In 2008, she was ranked 32nd, with a fortune of $130 million. [14] [15] In 2019, Kartini was listed 48th on Forbes' list of 50 richest Indonesians, with a fortune of $630 million. She was the highest-ranked woman on the list.
The letters, which were written in Dutch, reveal Kartini's views on society and modern life, and were collected by one of Kartini's correspondents Jacques Henrij Abendanon and published in 1911. They have since been translated into a number of other languages, including an English language version in 1920 and a Malay language version published ...
A rumah gadang serves as a residence, a hall for family meetings, and for ceremonial activities. With the Minangkabau society being matrilineal, the rumah gadang is owned by the women of the family who live there - ownership is passed from mother to daughter. The houses have dramatic curved roof structure with multi-tired, upswept gables.
Kartini or Raden Adjeng Kartini was born a Javanese noblewoman in which she was able to attend Dutch colonial school which opened her eyes to Western ideals. [7] After reaching adulthood, Javanese tradition dictated that Kartini live a life in gender segregation as a young female noble. [ 3 ]