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"Marche Henri IV", alternatively "Vive Henri IV" or "Vive le roi Henri", is a popular French song celebrating King Henry IV of France (also known as Le Bon Roi Henri, "Good King Henry"). The melody was heard of as early as 1581, when it was mentioned in the book of Christmas songs of Christophle de Bordeaux, under the name "Chant de la
The French Revolution (French: Révolution française [ʁevɔlysjɔ̃ fʁɑ̃sɛːz]) was a period of political and societal change in France which began with the Estates General of 1789 and ended with the Coup of 18 Brumaire on 9 November 1799.
Francœur resigned himself from the music world, living in retirement until his own death in 1787 at age 89. He was thus spared the fate of his nephew, Louis-Joseph Francœur, Master of the King's Chamber music and orchestra director, who was imprisoned during the French Revolution until the fall of Robespierre in 1794.
During the Romantic period, music often took on a much more nationalistic purpose. Composers composed with a distinct sound that represented their home country and traditions. For example, Jean Sibelius' Finlandia has been interpreted to represent the rising nation of Finland, which would someday gain independence from Russian control.
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The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
The Irish revolutionary John Mitchel called the French Revolution "the profoundest book, and the most eloquent and fascinating history, that English literature ever produced." [ 15 ] Florence Edward MacCarthy, son of Denis MacCarthy , remarked that "Perhaps more than any other, it stimulated poor John Mitchel & led to his fate in 1848", i.e ...
[9] [10] Born of the cafés-concerts and cabarets of the Montmartre district of Paris and influenced by literary realism and the naturalist movements in literature and theatre, chanson réaliste was a musical style which was mainly performed by women and dealt with the lives of Paris's poor and working class.