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Urubhanga or Urubhangam, (English: Shattered Thighs ) is a Sanskrit play written by Bhasa in the 2nd or 3rd century CE. [1] Based on the well-known epic, the Mahābhārata , by Vyasa , Urubhanga focuses on the story of the character Duryodhana during and after his fight with Bhima .
The Urubhanga and Karna-bhara are the only known tragic Sanskrit plays in ancient India. Though branded the villain of the Mahabharata, Duryodhana is the actual hero in Uru-Bhanga shown repenting his past as he lies with his thighs crushed awaiting death. His relations with his family are shown with great pathos.
Of around 155 extant Sanskrit plays, [a] at least 46 distinct plays by at least 24 authors have been translated into English. William Jones published the first English translation of any Sanskrit play in 1789.
Svapnavasavadattam is a sequel to the Bhāsa's another play Pratijnayaugandharayana (The Pledge of Minister Yaugandharayana) which describes in four acts the events culminating in the marriage of Udayana and Vasavadatta which was brought about by the efforts of Yaugandharayana, Udayana's minister.
Mahabharata Manuscript illustration of the Battle of Kurukshetra Information Religion Hinduism Author Vyasa Language Sanskrit Period Principally compiled in 3rd century BCE–4th century CE Chapters 18 Parvas Verses 200,000 Full text Mahabharata at Sanskrit Wikisource Mahabharata at English Wikisource Part of a series on Hindu scriptures and texts Shruti Smriti List Vedas Rigveda Samaveda ...
Urubhanga; V. Vikramōrvaśīyam; Vina-Vasavadatta This page was last edited on 3 April 2024, at 16:33 (UTC). Text is available under the Creative Commons ...
Karnabharam is a one-act play, and its reading time is short. However, the play contains a multitude of staging signs, and their variety increases its performance time greatly (p. 51). So much so, that according to the authors, Bhasa's Madhyama Vyagoga, Urubhanga and Karnabharam take four times as long as it takes to read.
"Gods, Demons and Others is a collection of ancient tales from India's complex history and mythology presented in their traditional setting, albeit with Narayan's urbane and affectionate, satirical style, bereft of any didactic interludes.