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Opening Title Production company Cast and crew Ref. J A N U A R Y 4: A Dark Truth: Magnolia Pictures: Damian Lee (director/screenwriter); Andy García, Kim Coates, Deborah Kara Unger, Alec Rayme, David Anders, Henry Kingi, Eva Longoria, Forest Whitaker, Devon Bostick, Steven Bauer, Al Sapienza, Kevin Durand, Jim Calarco, Millie Davis
Christmas Carol was released on 7 December 2001 by Pathé in the UK, although it was originally slated for 30 November. [1] [3] In the United States, Metro-Goldwyn-Mayer released it straight to video on VHS and on Region 1 DVD on 7 October 2003 in full screen. [2] The film was largely panned by critics, holding a rating of 13% on Rotten Tomatoes.
A Christmas Tree Miracle: 2013: An eccentric Christmas tree farmer takes in a distressed family for the holidays. A Christmas Visitor: 2002: A family hasn't celebrated Christmas since their son died on Christmas Day 1991 serving in the Gulf War but end up doing so after meeting "Matthew", a hitchhiker who claimed to know their son while deployed.
From "It's a Wonderful Life" to "Elf," here's where and when you can watch Christmas classics old and new this holiday season.
All Is Bright (released as Almost Christmas in the UK) is a 2013 comedy-drama film directed by Phil Morrison. It stars Paul Giamatti and Paul Rudd, with Sally Hawkins and Amy Landecker in supporting roles. The film debuted at the 2013 Tribeca Film Festival, with a video on demand release following on September 10, 2013. It was released in ...
Here are Yahoo Entertaiment's picks for the best holiday movies of the 2000s, including Elf, Love Actually and The Holiday. (Photo illustration: Maayan Pearl/Yahoo News; photos: Getty Images ...
These classic Christmas movies will never get old. Black and white films like It's a Wonderful Life and 90s holiday hits like The Santa Clause are on included.
The 2013 crop comprises an unplanned, if not accidental, collective declaration of the essence of the cinema, an art of images and sounds that, at their best, don't exist to tell a story or to tantalize the audience (though they may well do so) but, rather, to reflect a crisis in the life of the filmmaker and the state of the artist's mind or ...