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[25] Other designers who liked it included Allen Hutt, who described it in Newspaper Design (1960) as "the best of all Medium Sans, the famous Grotesque No. 9". [26] Grotesque No. 9 reached phototypesetting and Letraset dry transfer lettering and, unlike many of the other Stephenson Blake Grotesques, has been digitised in several releases. [27]
This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing. Samples of Monospaced typefaces Typeface name
Santipur OT is a beautiful font reflecting a very early [medieval era] typesetting style for Devanagari. Sanskrit 2003 [84] is a good all-around font and has more ligatures than most fonts, though students will probably find the spacing of the CDAC-Gist Surekh [68] font makes for quicker comprehension and reading.
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
The x-height (height of lower-case letters) is low, especially at larger sizes, making the capitals large relative to the lower case, while the top serifs on the ascenders of letters like 'd' have a downward slope and ride above the cap height. [8] The axis of letters like the ‘o’ is diagonal and the bottom right of the italic 'h' bends ...
[6] [22] [23] [d] Such details included many of the intricate details of his italic, such as the flourishes on the capital N and entering stroke at top left of the italic 'p'. He had clearly considered the topic of ideal letterforms for many years, since a slate carved in his early career offering his services cutting tombstones, believed to ...
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
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