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Seurat completed the painting of Bathers at Asnières in 1884, at 24 years old. He applied to the jury of the Salon of the same year to have the work exhibited there, only to be rejected. The Bathers continued to puzzle many of Seurat’s contemporaries, and the picture would only be widely acclaimed many years after the artist's death (age 31).
Figure on the banks of the Seine and bathers [61] Musée d’Orsay, Paris 095 15.5 × 25 More images: 1883 Bathers sitting on the Beach of the Seine [64] Nelson-Atkins Museum of Art, Kansas City, Missouri 096 17.5 × 26.4 More images: 1883 Final Study for "Bathers at Asnières" [65] Art Institute of Chicago 097 15.8 × 25.1 More images: 1884 ...
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Bathers at Asnières, 1884, oil on canvas, 201 × 301 cm, National Gallery, London. He spent 1883 working on his first major painting – a large canvas titled Bathers at Asnières, [16] a monumental work showing young men relaxing by the Seine in a working-class suburb of Paris. [17]
Seurat's painting was a mirror impression of his own painting, Bathers at Asnières, completed shortly before, in 1884. Whereas the bathers in that earlier painting are doused in light, almost every figure on La Grande Jatte appears to be cast in shadow, either under trees or an umbrella, or from another person. For Parisians, Sunday was the ...
Bathers at Asnières, a painting by Georges Seurat in 1883; Les Grandes Baigneuses, by Pierre-Auguste Renoir in 1887; The Bathers, another painting by Pierre-Auguste Renoir in 1918–1919; A painting by Paul Gauguin in 1898; The Bathers, by Paul Cézanne, who has a number of paintings with this title
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Le Chahut is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (reds and yellows), nor even with the ...