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They are differentiated from later Gibson banjos by their scarcity. Banjo sales plummeted during the Great Depression, for lack of buyers, and metal parts became scarce into the 1940s as factories shifted to support the war. [1] As parts became scarce, non-standard versions came out, made from a variety of leftover parts, called floor sweep ...
In their 1930 catalog, National list eight key associates, including Adolph Rickenbacker, George Beauchamp, Harry Watson, Paul Barth, and Jack Levy. [4] In 1932, the Dopyera brothers secured a controlling interest in both National and Dobro, and merged the companies to form the "National Dobro Corporation".
Auction catalogs for rare and expensive items, such as art, books, jewelry, postage stamps, furniture, wine, cars, posters, published for sales around the world, can be of interest in themselves--they will can include detailed descriptions of the items, their provenance, historical significance, photographs, and even comparative analyses and ...
The Banjoline is a four coursed instrument similar to a tenor guitar or plectrum banjo. The instrument was developed by Eddie Peabody in the 1930s, initially as an acoustic instrument. In the early 1950s, Peabody approached the Vega Company of Boston, Massachusetts which produced several electric versions of the instrument, but never put them ...
Vega initially labeled these instruments A. C. Fairbanks, then switched to Fairbanks banjo by the Vega Co., then eventually to just Vega. David L. Day, who had been the chief acoustical designer at Fairbanks, became general manager of the Vega stringed instrument division and continued to develop innovative and successful banjo designs.
The complaint alleged that Elderly was selling a banjo on its web site marketed as a "Gibson copy" and that the phrase constituted a trademark infringement. Despite Elderly's claim of having addressed the issue by changing the phrase first to "Famous Maker Copy" and then to "Classic Bluegrass Banjo Copy", Gibson persisted with the complaint and ...
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Alfred Adolphus Farland Sr. (April 10, 1864 – May 5, 1954) was a Canadian-American banjoist, playing in the classic banjo style for more than 40 years. [1] [4] [5] He played the banjo wearing a tuxedo, bringing an air of sophistication to the instrument, when the 19th-century image for a banjo player tended toward the comic, the racist and the crude. [6]