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Christian cross variants 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side Double-barred cross symbol as used in a 9th-century Byzantine seal Greek cross (Church of Saint Sava) and Latin cross (St. Paul's cathedral) in church floorplans
No two crosses are exactly identical in style, the artisans who make them being allowed the freedom to exercise a measure of individual taste and creativity in their choice of shape and pattern. Crosses may be of the processional type with a socket at the base so they may be mounted on a staff and carried in church ceremonies or hand-held ...
The fylfot or fylfot cross (/ ˈ f ɪ l f ɒ t / FILL-fot) and its mirror image, the gammadion, are types of truncated swastika, associated with medieval Anglo-Saxon culture. It is a cross with perpendicular extensions, usually at 90° or close angles, radiating in the same direction.
Altogether, the cross has 12 points symbolizing the Apostles, whose mission was to spread the Gospel message throughout the world. [3] This form of Coptic cross is widely used in the Coptic church and the Ethiopian and Eritrean churches, and so this form of the cross may also be called the "Ethiopian cross" or "Axum cross".
Jerusalem cross based on a cross potent (as commonly realised in early modern heraldry) The national flag of Georgia The Jerusalem cross (also known as "five-fold Cross", or "cross-and-crosslets" and the "Crusader's cross") is a heraldic cross and Christian cross variant consisting of a large cross potent surrounded by four smaller Greek crosses, one in each quadrant, representing the Four ...
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
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