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After the set, Hughie called me over to the table and asked if they could write a song using that break. I told him to go ahead and they offered to cut me in on the tune. That was fine with me." [1] For that reason Raye gave a partial songwriting credit to McKinley. The song was formally published under McKinley's wife's name, Eleanore Sheehy ...
The basic narrative remains intact. On the surface, the song is a black slave's lament over his white master's death in a horse-riding accident. The song, however, is also interpreted as having a subtext of celebration about that death and of the slave having contributed to it through deliberate negligence or even deniable action. [3] [4] [5] [6]
Louise Brooks styling a "shingle" bob cut in 1929 bob cut. Main article: Bob cut. There were various bob haircuts, but the most common involved cutting both the bangs and back in a straight line, typically with the back shorter and off the neck i.e. shingle bob; e.g. Most flappers had their hair bobbed [43] bohunk. Main article: List of ethnic ...
According to CD Now, the song was released in 2003 on Swishahouse's The Day Hell Broke Loose 2 AKA Major Without A Major Deal album, but due to word of mouth, and the infamous X-rated version seen on BET: Uncut released in spring of the following year, by late 2004 the song received major radio rotations, and an edited version of the video was released.
The English word "pimples", however, is confused in the sketch with "pimplen", a strong German slang word with the same meaning as the English "fuck" (in the sexual sense). As a result, the commercial tagline ("mach das pimplen kaput") implies that Clearasil will destroy one's sex life.
Harold Arlen described the song as "another typical Arlen tapeworm" – a "tapeworm" being the trade slang for any song which went over the conventional 32-bar length. He called it "a wandering song. [Lyricist] Johnny [Mercer] took it and wrote it exactly the way it fell. Not only is it long – fifty-eight bars – but it also changes key.
The locals of Cincinnati use slang terms and phrases that have been part of the local culture for so long, nobody stops to ask why. Once they move away from home, they realize they've been using ...
The track then quickly transgresses into one that is much more deep and forceful, opening the composition. The song contains lead vocalist Corey Taylor speaking in the manner of a radio announcer, and the line "Cut, cut, cut me up and fuck, fuck, fuck me up". [4] During concerts, percussionist Chris Fehn would usually sing the chorus with Corey.