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Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, bandleader, and composer. [1] [2] Parker was a highly influential soloist and leading figure in the development of bebop, [3] a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Parker was able to improvise, which allowed him to explore new melodies and harmonies creating a style that was inspired by traditional jazz but unique in its own right. [11] Much has been made of the influence of the Kansas City tradition on modern jazz though Charlie Parker helped bridge the two styles of jazz that's not the only similarity ...
The master take of "Ko Ko" was released next on Savoy 12126: The Jazz Hour, a compilation of various Savoy artists; and then on Savoy SJL 2201: Bird/The Savoy Recordings (Master Takes). And, as noted above, the entire session was reissued again on the box set Charlie Parker: The Complete Savoy Studio Recordings. [17] CD reissues followed in the ...
Among standards written by bebop musicians are Gillespie's "Salt Peanuts" (1941) and "A Night in Tunisia" (1942), Parker's "Anthropology" (1946), "Yardbird Suite" (1946) and "Scrapple from the Apple" (1947), and Monk's "'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician. [3] An early 1940s ...
Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. [1] [2] The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term "suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody ...
However, Parker did play the piece frequently during live performances, and at least five live recordings of Parker performing "Confirmation" are known to exist. The earliest of these is a 1947 performance with Gillespie at Carnegie Hall. [2] [3] The musicologist Henry Martin extensively analyses the piece in his 2020 book Charlie Parker, Composer.
The Charlie Parker Septet made the first recording of the tune on March 28, 1946 on the Dial label, and it was inducted into the Grammy Hall of Fame in 1989. [ 1 ] "Ornithology" is a contrafact – a newly created melody written over the chord progression of another song, in this case the standard " How High the Moon ". [ 2 ]